maandag 5 december 2016

Ben Decca


With a career spanning more than 30 years and nearly 150 songs to his credit, Ben Decca is one of the most successful Makossa singers of his generation. Initially, nothing indicated that the young Ben would be such a successful singer. Raised in a family of car technicians his father had a career as a technician in mind for his son. It was more or less by accident that he became involved in music. In 2006 Ben Decca told the following story about the release of this first single in an interview with RFI:

"I arrived in the music world like a hair in a bowl of soup," Decca claims, flashing a broad grin. The budding young musician was a student at the time, completing a college course in France. One night a friend happened to hear him sing and his fortunes changed from one day to the next. "My friend thought it was a pretty good song," recounts Decca, "and he offered to record it." But Decca turned down the offer, knowing his father would be furious if he found out his son was neglecting his studies to make music. The friend insisted they could find a solution and persuaded Decca to record an album, promising it would be released without his face on the cover. The single entitled Nyong’a mulema came out at the end of 1981 – featuring a close-up photo of the singer. "And all hell broke out," recalls Decca, "My father took it all very badly, of course. But with time he finally came to accept my career".

From that moment Ben Decca has been continuously at the top of the Makossa scene. With love, his homeland and morality as recurring themes in his songs, he reached an unprecedented popularity as crooner, especially among women. In 1987 he was elected as Artist of the Year for the first time in his career and also received his first Gold Record for the album L’amour a sens unique’. Ben Decca has always remained faithful to the pure makossa. With the album Makossa Phoenix he showed in 2006 his devotion to the authentic Makossa that has been so lacking in recent years on the Cameroon music scene.


In 2010 Ben Decca celebratred his 30th anniversary as a singer. Shortly after he was elevated to the rank of knight in the national order and exceptional value. He received this award by the Minister of Arts and Culture in recognition for his entire musical work.






  
Discography




























zaterdag 5 april 2014

Sergeo Polo

Update 30/09/2017
Last Tuesday 27 September 2017 Sergeo Polo presented his new album entitled "Fleur et Venus". With this album Sergeo Polo celebrates women in all their splendor.


Sergeo Mpollo a.k.a. Sergeo Polo Le Roi Polo XVIII
was born in Deido (Douala) on November 14 1970.He was raised by his mother and his maternel grandparents. He started singing at school concerts when he was in college. In the twelfth grade he decided to become a fulltime singer and stopped his studies. He performed several years in night clubs where he accompanied some well known big names such as Eboa Lotin, Salle John, Ben Decca and many others.

Then he went to Paris where he married and became father to a daughter, Melissa. In November 1996 he released a duet album with "Njohreur", a former singer of "Les sans visas de Petit Pays". The record "Le mari d'autrui" was well received in Cameroon and in 1998 Sergeo Polo came with his first solo record "Carton rouge".

During the making of a tribute album for Eboa Lotin he met Aladji Toure, which led to the production of the album "Georgie" on Toure's label in November 2000. With three successful albums in less then five years, Sergeo Polo soon became a household name in the Makossa community. It is therefore not surprising that he managed to bring together some of the biggest names in Cameroon music for his next album "La chicotte de papa". With the help of Guy Nsangue, Aladji Toure, Manulo, Congolese guitar wizard Caen Madoka and Jean Philippe Tamba as arranger, Sergeo Polo won a gold disc and the title of 'best artist in 2003'.

The same year he did another duet album with legendary singer Guy Lobe, released as CD and DVD under the name "Cocktail". With "The prisoner" an album released in November 2005, he stayed at the top of the Cameroon music and in March 2006, he was once again honored by the Cameroon public who chose him again as best male artist of 2005.

In 2008 he released a mini album "On est ensemble" at the request of "d'Orange Cameroun", that accompanied all events organised by the mobil operator and the Cameroon national team "les Lions Indomptabel".

Two years later Sergeo Polo is back with the CD "Amour a deux, amour a vie" an album produced by Toto Guillaume. The record is released on Polo's own label SP Association and contains guest appearances by renowned African artists such as Barbara Kanam, Landry Ifauta and Mirage Supersonic. As "Roi Polo XVIII" Sergeo Polo presents himself now as a true SAPEUR, a follower of "La Societé des Ambianceurs et des Personnes Élégantes".





In December 2013 he released the CD "Carte postale". The album contains 9 tracks and includes collaborations with Kaissa Doumbe and Ivorian Soum Bill. All the songs are written by Sergeo Polo himself except the title "Ali Baba forever".
DISCOGRAPHY

 
 
 






zaterdag 13 april 2013

Dina Bell 35 ans de carrière


















On May 4, 2012 Dina bell celebrated the 35th anniversary of his artistic career as singer in Sarcelles - Paris.










$: Dina Bell his music is available on eMusic

        1999: Mambo ma bato

        1991: Elissa

A SHORT BIOGRAPHY

Dina Bell is Born in Douala on the 28th of may 1953 under the name Dina Ebongue Charles. His father and grandfather were both musicians and so he learned to sing and play the guitar very early in his life. His teachers at the Montequieu Lycee and the minister of his local church were quick to recognize his talent. His friends and the example of Manu Dibango led him to leave aside religious music and to concentrate  on Makossa music. As a teenager he starts to perform on parties and other neighborhood events during school holidays.
 
His first hit 'Yoma, Yoma' a 12 inch 45 rpm single,was recorded in 1978 with the help of Toto Guillaume (guitar) and Aladji Toure (bass) and spread his fame all over Cameroon.  He scored a golden record with 'Yoma yoma', as he also did in 1980 with his first LP, "M'bemba iyo" (When a mother mourns her son).  With the albums "Longe" (1981) and "Etom'am"(1983) he confirmed his immense talent and consolidated his position at the top of the Cameroon hit parade.

In 1982 he participated on the most outstanding compilation of Cameroon music  "Fleurs musicales du Cameroun" with the song "Diana lao". This 3LP-box was produced by the Ministry of Culture of Cameroon, with the participation of several artists including Francis Bebey, Manu Dibango, Anne-Marie Nzié, Marthe Zambo, Ben Decca, Prince Eyango, Dipanda Charlotte, Henry Dikongué Sam Mbende, Jean Bikoko Aladin, Hugo Nyame, Ohandja Mama and many more.

During the following years he made several more hit albums, such as "Mboa"(1984) and "Poko poko"(1986). In 1988 he received another golden record for the album "Melodies roses". At this time in his career Dina Bell has become one of the key figures in the Douala makossa scene. His band "Bazor Systeme", founded in 1984 becomes a training school for young talented singers and musicians such as Ndedi Eyango, Guy Bilong, Jeannot Ebele and the twins Epee & Koum.

 He continues his success during the 90's with albums as "Elissa" (1991), "Nika na nika" (1998) and "Tempete" (1999). The new millennium started also good for Dina Bell with the album "Tobo tobo" (2002), but in 2004 things turned wrong, when he became  the victim of a violent robbery that almost costed him his life.   It took several years before he was fully recovered. Ultimately, it was not until 2009 that he released a new album with the telling title "rebirth". On May 4 2012 Dina Bell celebrated the 35th anniversary of his career as singer in  Sarcelles - Paris.

DISCOGRAPHY

vrijdag 26 oktober 2012

Douleur - Nguila Moto


Nguila Moto - Lion Man
 
 
A short biography
Alexandre Douala a.k.a. Douleur was born and grew up in the Deido quarter of Cameroons economic capital Douala. At the end of his first year at the College de la Salle, he begins to feel uncomfortable in the world of screwdrivers and electrical conductors. He is more inspired to sing his self written texts and as soon as he completed his education as electrician, the young Alexandre decides to explore new horizons. Without going very far in his research, he crosses his street Bonantone to Deido where he meets his cousin Sammy Njonjy, a well respected guitarist in those days.

Douleur discusses his compositions with him and eventually finds suitable melodies to express his artistic inspiration. From that moment he sings his compositions with his guitar, and began to make themselves known in his neighborhood Bonantonè.
 
During one of his performances his talents were recognised by the Yabassi drummer Ebeny Dihan, known by the nickname Ebeny Donals Wesley, who was the number one drummer on the Makossa recordings at that time. Douleur decides to follow Dihan to Paris in order to develop his musical career further and record his songs. Unfortunately the cooperation didn't work out and after two years of hard struggle in Paris, Douleur still stood with empty hands.
 
But Douleur didn't give up and continues to renew contacts in the Cameroon music community of Paris. Finally it is the multitalented Toto Guillaume (of Black Styl fame) who helps Douleur in 1984 with the production of his first LP.

Everything goes now so fast that the album is released with a black cover without further design and even a photo of the artist. The album becomes an instant success among the growing number of Makossa 'aficionados' in the Paris of the early 80's. Who is the man behind compositions like 'Lambo la tambo'and 'Ngonkele'? It is the nickname Douleur on the black cover without picture and further information which is responsable for the birth of the mysterious image of the new talent.
 
 
♫ Audiolink - Ngonkele 1984
 
The success of this first album with it's deep, meaningfull lyrics inspire Douleur and Toto Guillaume to continue their cooperation. In 1985 appears Douleurs second LP ''Nkumbele". Also this album is very successful and confirms Douleurs position as Makossa singer/composer. The song "Allo mademoiselle" becomes a hit in Paris, Cameroon the rest of Francophone West-Africa.
 
 
In 1986 Douleur releases his third and last LP in cooperation with Toto Guillaume. The album is a mix of catchy, danceable  songs like "Mr. Mamadoua" beside songs full of emotion like "Coco", a song dedicated to the singers mother and "Wake up Africa", a tribute to the imprisoned Nelson Mandela.
 
With the separation from his producer Toto Guillaume starts a difficult period in the career of Douleur. This lean period comes to an end when Douleur is asked to contribute a song to an album released by drummer Guy Bilong, who brougt together several great Makossa singers under the name of Makossa Connection. Douleurs contribution entitled "Nyouma nyouma" becomes one of the most popular songs of this well received album.
 
In 1988 Douleur comes back with the very successful LP "Beneground" (Cemetery), produced by the Parisian "Kanibal" record label from Maurice Tanye. The album is arranged by master drummer Valery Lobe and is very successful. In 1988 and 1999 the songs "Musango" (Peace) and "Travailleur immigre", dedicated to the suffering of African migrant workers in France, fills the dancefloors of  the Parisian Afro-Caribean discotheques.
After the succes of Beneground Douleaur disappeared from the music-scene in the same way as he appeared in 1983.
 
 
It took nearly ten years before Douleur came back in 1997with a new album, the cd "Fureur".
It is with this production, released on the JPS record label from Jean Pierre Saah that Douleur jumped  in one time into the "major league" of the leading Cameroonian singers/composers/.
Under the direction of the omnipresent bassplayer and producer Aladji Toure, Douleur came back with an even more rich sound than before. With his Rasta look he also changed his image and for the first time he showed (a part of) his face on the album cover.
 

In 1999 "Fureur" is followed by the CD  "Armageddon", again on the the JPS recordlabel. On this album with a guest appearance from Manu Dibango himself, Douleur continues the high level of it's predecessor.
 
In 2002 Douleur reached the highest peak of his career until now, with the CD "C'est magique". With the song "Gloire aux femmes" he scored a pan-african hit, who brought him the 2003 Kora All African Music Award for Best Male Artist of Central Africa.
 

 
After this period of huge succes followed again a decade of silence around Douleur. Luckily
he is now back again with a new album entitled  "Nguila Moto" - Lion man.
 
 
Web links
 
 
 
 

Live performance at the wedding of Guy Lobe & Patience Ondoa
28 - 07 - 2012

 
Discography