vrijdag 24 september 2010

Bill Loko - Nen lambo 1980

BILL LOKO



















Like a comet, Bill Loko appeared in Cameroonian music in the late 1970s and immediately disappeared in the mid-1980s. This genius was far ahead of its time. He operated a fundamental revolution in Makossa by introducing a rhythmic makossa by the piano. and synthesizers. Visionary sensitive to the musical influences of his time, he operated an original syncretism by introducing into the Makossa rhythms in the air such as Funk and disco. With the support of his accomplice Michot Dhin, he produced masterpieces in the space of a few years. In 1980, the title Nen Lambo appeared like a thunderclap and immediately had a resounding success.

♫ Audio: 1980 – Bill Loko – Nen Lambo

Bill Loko was spotted by Ekambi Brillant around the 1970s during a music competition in which he participated. Ekambi Brillant was won over by his guitar playing and the quality of his voice. Bill wins the competition and Ekambi Brillant comes behind the scenes shouting and pointing a finger in his direction: "Hey you! Stop singing and give me these songs, I want them". Although only 14 years old at the time, they became friends and Ekambi Brillant instantly became like a big brother, a mentor.

Very cooperative and benevolent, he encourages Bill to pursue a musical career. Ekambi even chooses a composition by Bill Loko which he records in his new album. This groin recognition makes young Bill Loko very proud.

Bill Loko's parents decide to send him to continue his studies in France. He arrives in France and meets the very talented instrumentalist Michot Dhin, a friend of Cameroon. the two friends start playing together in their spare time. From this collaboration will be born the Nen Lambo and Salsa Makossa tubes. They are accompanied in this adventure by Claude Vamur and Jean-Claude Naimro (future members of the Kassav) who are members of what should be called at the time "the national team of Makossa '. But Bill Loko did above all music for fun.



He did not do for glory; for this brilliant academic, music was a hobby. In 1980, when the title Nen Lambo appeared, success was there. Bill Loko is surprised by this unexpected success; when he moves through the streets of Paris he is assailed by crowds of people clamoring for autographs. He was not prepared for this life.

Feeling aggressed by celebrity and his constraints, he wishes to go somewhere where no one will be able to recognize him. He seized the opportunity of an exchange program offered by his university and moved to Australia. At the start it was supposed to be there for a year; he stayed there for several years with his wife. He eventually answered the call from Africa and returned to Africa before settling in France.

Bill Loko has produced timeless melodies among which we can cite: Salsa makossa, Dipita, Ndolo, Tika Ndolo, Muaye, malinga, Mina Ma Ndutu, Africa Wake Up.
With the albums Nen Lambo 1980, Dipita 1981, Afrika Wake Up 1982, he stamped his name in gold letters in the guest book of Cameroonian music. 

♫ Audio: 1981 – Bill Loko – Ndolo

♫ Audio: 1982 – Bill Loko – Africa Wake Up

It is therefore more than appropriate that 'Nen Lambo' received a place on the beautiful compilation 'Pop Makossa: The invasive dance beat of Cameroon 1976 - 1984' that Samy Ben Redjeb released in 2017 on his label Analog Africa.








 DISCOGRAPHY






5 opmerkingen:

  1. Ah, fantastic post!Reminds me of the good old days, when I was deejaying in the afro-caribbean night-clubs in southern France.Patrick Saint-Eloi has just sadly passed away a few days ago, he was THE creole crooner in french West Indies and a founding member of KASSAV'.Have you noticed the name of Claude Vamur among the musicians on Nen Lambo?Vamur is Kassav drummer.It is obvious for me that 80s Makossa had been a major influence on Kassav' zouk project.Thanks for all and keep the pace. Stéphane from french guiana. PS1 : Hey, if possible, please post one day "Lolita" from Geo W. Masso cause I lost my copy long ago! PS2 : One more thing, could you please tell me where you have picked the group photo on Champs-Elysées for your blog page?Thanks again!

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  2. Thanks for your reaction!!

    The death of Patrick Saint-Eloi is a great loss for the Afro-Caribbean music scene.

    I agree with you about the influence of Makossa on the music of Kassav. In the book "African All Stars" by Chris Stapleton & Chris May, Jean-Claude Naimro tells us the following about this relation:

    (..) For us the bass is the motor of the song. When you have a bass line that is typically African, the whole song becomes African - and when we use such patterns, they come from Cameroon - page 252 (..)

    The group photo on Champs-Elysées is made from the sleeve of the 1978 LP "Black Styls in Paris".

    I will post Lolita in the future.

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  3. Hi Dolf,

    Any way you could be able to send these Bill Loko ep + lp to me, or reupload them? Would be much appreciated. Thanks, Riekele.

    ps. Suberb blog, reminds me of my youth in Cameroun.

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  4. Hello Mr B. I reposted the track today.

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