Tonye Jackson, a Bassa man, released three albums in the early 1980s with Makossa, mixed with Congolese influences and Bassa rhythms such as Assiko.
♫ Audio: 1981 – Tonye Jackson – Ngola Libii Exhibition
DISCOGRAPHY
Tonye Jackson, a Bassa man, released three albums in the early 1980s with Makossa, mixed with Congolese influences and Bassa rhythms such as Assiko.
♫ Audio: 1981 – Tonye Jackson – Ngola Libii Exhibition
DISCOGRAPHY
Georges Dickson was popular in the second half of the 80s and the first half of the 90s with his "Makozouk" style, a mix of Makossa and Zouk. He scored several hits during those years, including "Kiss Me Doudou", "Crise Economique" and "Ville Morte". In the last two songs, he comments on the economic crisis and the resistance against it, which prevailed in Cameroon around 1990.
♫ Video Clip: 1990 – Crise economique - Georges Dickson
♫ Video Clip: 1992 – Villes mortes - Georges Dickson
After his 1995 album, Georges Dickson remained silent for several years. At the beginning of the new millennium, he released a few more albums that did not become very well known because of poor distribution. In recent years, with the exception of an occasional video clip, little has been heard from him.
♫ Video Clip: 2012 – Georges Dickson – Ne tirez pas sur l’artiste
♫ Video Clip: 2017 – 3ème Pied - Georges Dickson
Din Din Ferdinand, aka "Maréchal" Papillon, is the promoter of Sakissa, his own form of Makossa, which is characterised by a danceable up-tempo rhythm and Congolese guitar lines.
In the mid-80s, Papillon took its first steps on the musical path. A few years later he was discovered by Guy Lobe, whose career reached its peak around that time. Lobe arranged Papillon's first LP "Femme sans ambition", which immediately became a hit in Cameroon.
♫ Video Clip: 1990 - Papillon – Femme sans Ambition 5:36
In 1996, the USA-based Tinder label released "Femme sans Ambition" as a CD in cooperation with Aladji Toure's TJR label. It was a compilation that also contained 4 tracks from the successful 1990 album "Trouver la Vie" by Petit Pays.
In 2005, his career was at its peak. To celebrate his fifteenth anniversary as an artist, he released a double album "Porc-epic", featuring Jacky Kingue and the Ivorian star Meiway, among others. For his 2009 album "Kamerun", Papillon once again managed to get hold of a big name, no one less than Manu Dibango.
♫ Video Clip: 2005 – Porc-èpic 8:01 (ft.Jacky Kingue)
♫ Video Clip: 2013 – A Môto 6:48
Unfortunately, Papillon's collaboration with fellow artists also has a dark side. From the start of his career, Papillon has been pursued by accusations of plagiarism, breach of contract and misusing the good names of fellow artists for his own gain.
In the early 1990s, for example, he sold the song "Homme demesure" to the then newly broken Epee & Koum. But before Epee & Koum's album is released in 1993, Papillon releases it himself as 'l'Amour et la misere. In 2006, he got into a conflict with Meiway who accused him of abusing his name. In 2008, Senegalese singer Coumba Gawlo made the same accusation against Papillon. In 2013, the young artist Longue Bille, the little brother of the singer Longue Longue, accused Papillon of stealing the song "A Moto" from him, after letting him know about the song and asking for advice. Finally, Papillon got into conflict with the Dibango heirs last year because he wanted to organise a memorial concert for the late Manu Dibango without the family's consent.
News item: Issue with Epee & Koum
News item: Issue with Coumba Gawlo
News item: Issue with Longue Billè
News item: Issue with family Dibango
In 2005 he was the winner of “The Class” a competition for the best singer which was organized by Dora Decca. The competition was broadcasted in the local media and the gain that he won was the production of his first album.
Martino has since developed into an artist who can make a living from his work. He has released several albums and is not only distinguished by his vocal qualities but is also gaining more and more praise as a composer and arranger.
♫ Video Clip: 2020 – Martino Ngalle – Vero
♫ Video Clip: 2020 – Martino Ngalle – Tondo Mba
♫ Video Clip: 2014 – Martino Ngalle ft. Tony Nobody – Je sais aimer (remix)
DISCOGRAPHY
Now listen to 5 episodes with over 2 and a half hours of non-stop Makossa Nostalgie on the Makossa Original podcast.
Of course my blogs AfricOriginal is still "in the air".
This non-commercial blog is dedicated to modern Makossa (and related styles) , the slick, urban dance music that developed in port town Douala, the commercial centre of Cameroon. Makossa is recognisable by up-beat, funky bass lines, often mixed above the solo guitar parts, and short unaccompanied verses answered by perky, mostly female chorus and snappy horns.
This blog broadly covers the 50 years between 1970 and 2020. The beginning of this period coincides with the moment when the world became acquainted with Makossa in 1972 through Manu Dibango’s international hit 'Soul Makossa'. The choice of 2020 as the end of this period coincides with the disappearance of classical sound carriers such as the CD and thus of the era of the 'music album' as we knew it through the vinyl record and the CD.